The Freestylers (aka Matt Cantor and Aston Harvey) have made over 45 records, sold 350,000 albums, scorched the charts with the hot-footer B-Boy Stance, appeared on Top of the Pops and opened for Lenny Kravitz. They've rocked Glastonbury and crisscrossed the world touring with a 12 piece band.

They met whilst both working at the studios of Fresh (later Freskanova) Records, way back in 1996. "We were just chatting about old hip hop records," recalls Aston. "And realised we both owned all the same tunes. We'd both been making house and Matt had this idea for an electro track so we just started working together." That electro track became Drop The Boom and on release in '97, launched the pair as The Freestylers. "The first record we ever sampled was by an act called Freestyle," Aston explains. "At that time sampling played such a major part in our sound, we felt it would be a fitting name."

Raised on a diet of Public Enemy and Afrika Bambaataa the Freestylers sound is rooted in hip hop but has evolved into a unique British concoction, taking in everything from dancehall to reggae, electro to soul and breakbeat to drum and bass.

Debut single 'Drop The Boom' soon saw a Stateside release [renamed AK48], and The Scratch City and Uprock EPs followed swiftly on its tail. But it was release of the jump-up breakers' anthem 'B-Boy Stance' and the boys' subsequent brush with the Gallagher brothers, that firmly put them on the media map. MC Tenor Fly's vocal appropriation of 'Wonderwall' didn't go down to well with the simian siblings, the Freestylers were forced back into the studio to re-record their masterpiece and the hype was enough to send "B Boy Stance" soaring into the Top 20. It was only when all the fuss had died down that everyone realised it probably would have got there anyway.

Things moved pretty quickly after that. Their debut album We Rock Hard sold over 250,000 copies, the boys got a MOBO nomination and picked up the late Muzik Magazine's Best Band accolade.

It's the Freestylers' live performances that really set them apart from other dance acts. When playing live they have a band of up to twelve people on stage with them - guitarists, DJs, MCs, vocalists and a full rhythm section. "The sound we get together can best be described as a 3D effect to our albums," explains Matt. "When you listen to our albums then come to our shows, you'll see the sound literally come out at you - everything is dynamic."

And it was one of these electric live performances that caught the eye of rock lothario Lenny Kravitz, who was so impressed he personally chose them to open for him. The popularity of their debut album meant Matt and Aston could really take the Freestylers on the road, playing not only the biggest clubs and UK festivals, but also touring America.

The band soon capped a series of stunning live performances, with their legendary gig in front of 23,000 screaming fans on the World Jazz Stage at Glastonbury. The crowd was so blown away they clapped and cheered solidly for over fifteen minutes after the set finished and Time Out declared The Freestylers "the highlight of the entire festival."

A second album Pressure Point followed and went on to sell over 100,000 copies. "We didn't want to just make a We Rock Hard Pt. 2," explains Aston. "We wanted to do something in our own distinct style, so we used influences that we had hints of on the first album, but made it harder and clubbier."

But after touring the new album, the boys decided to take a short break from the studio to recuperate and began to feel it was a time for a change of direction. "Our label Freskanova had stopped functioning," explains Matt. "We were feeling a little disillusioned, so we decided to get back to our grass roots and started doing some tracks for the label Against the Grain. We began to work on a project we called Raw as F**k - it was great because no-one had any expectations of us. There was nothing to live up to and we feel the music became stronger as a result."

Biography courtesy of Emms Publicity